Showing posts with label Proposal. Show all posts
Showing posts with label Proposal. Show all posts

Thursday, February 23, 2012

The Proposal (Single-Disc Edition)

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Find and compare the best prices and deals on The Proposal (Single-Disc Edition) at a reasonable price. Margaret Tate (Sandra Bullock) terrorizes her publishing house co-workers with her abrasive, take-no-prisoners management style, especially her overworked assistant Andrew Paxton (Ryan Reynolds). But when Margaret is threatened with deportation to her native Canada because of an immigration technicality, the quick-thinking exec announces that she and Andrew are engaged to be married. Ambitious Andrew agrees to go along with her scheme—if there’s a long-awaited promotion in it for him. Everything is going according to Margaret’s plan, until an overzealous immigration official makes it his business to prove that the couple’s engagement is bogus. To demonstrate her commitment to her new fiancĂ©, Margaret agrees to celebrate the 90th birthday of his colorful grandmother (Betty White) — in Alaska. The editrix’s type-A ways put her at odds with her eccentric future in-laws with hilarious consequences, until the Paxtons teach Margaret a thing or two about family.


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The Proposal (Single-Disc Edition)

The Proposal (Single-Disc Edition) details:

Rom-com favorite Sandra Bullock and the affably charming Ryan Reynolds’s superb chemistry turn The Proposal from otherwise standard romantic-comedy fare to one that is entertaining and sure to garner laughs. Margaret (Sandra Bullock) is a workaholic, tyrannical book editor (reminiscent of The Devil Wears Prada) who suddenly finds her career in jeopardy as she faces deportation back to Canada. Her solution is to simply fake an engagement to her unsuspecting assistant Andrew (Ryan Reynolds), who in turn blackmails her for a promotion. However, when Margaret is forced to head to Alaska with Andrew to visit his family in an effort to make their story believable to the deportation officers, they soon realize that their plan may not be so simple after all. The supporting cast of Dad (Craig T. Nelson), Mom (Mary Steenburgen), and kooky Grandma (Betty White, still a scene-stealer at 87) is great casting that makes for many amusing scenes. Bottom line: witty Reynolds and Bullock are perfect sparring partners for each other and not half bad to look at either. --Lisanne Chastain

Stills from The Proposal (Click for larger image)






The Proposal (Single-Disc Edition) Review:

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Tuesday, July 13, 2010

Indecent Proposal

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Indecent Proposal Sale


Buy Indecent Proposal. A young couple very much in love can end their financial worries by allowing the wife to spend one night with a handsome billionaire.
Genre: Feature Film-Drama
Rating: R
Release Date: 19-AUG-2003
Media Type: DVD

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One of the biggest teases in film history, this film's sensational plot finds a young wife (Demi Moore) solicited for sex by a wealthy bachelor (Robert Redford), for which the latter offers to pay a cool million bucks to her and her underachieving husband (Woody Harrelson). The two accept Redford's deal, and their marriage is ruined. The twist in the film, though, is that the sin doesn't lie with the rich guy, but rather with this unfocused, immature, equivocating couple who would do such a thing, naively believing it would get their lives on track. Director Adrian Lyne, who caused an even greater stir by filming Lolita (the one starring Jeremy Irons), thus pulls a kind of thinking person's bait and switch, promising something tawdry and then turning the story around so its focus is on a rite of passage for the estranged spouses. Still, Lyne has some peculiarly garish ideas at times: the final disposition of that million dollars is like a joke out of Monty Python. --Tom Keogh


Indecent Proposal Review


People keep asking if I'm okay with Paramount's rendering of my novel "Indecent Proposal" (ComteQ Publishing, Paperback). After all, a number of changes took place from my page to Hollywood's screen -- and, it is customary for the novelist to be fashionably upset at Hollywood. But I'm happy with the result.

Liberties were taken. This is true. But the main elements of my novel were kept intact -- temptation, sin, regret, redemption, forgiveness. In other words, Hollywood skimmed the surface, but with glamour.

After all, the billionaire (in the novel) is an Arab sultan, and the couple he tempts and traps, well, the guy is Jewish and his wife is high-class Gentile, somewhat like Grace Kelly. You'd expect Omar Sharif for starters, not Robert Redford.

In her review of the MOVIE for The New York Times, Janet Maslin paid tribute to the theme of the book and the movie as being "powerfully seductive." I'm okay with this and I'm okay with the Times' Sunday review of the BOOK (originally published in 1989), which, in part, runs as follows:

Of a "Jewish writer and gambler, who makes a bargain with the Devil (a handsome oil-rich billionaire.) The struggle between these two embraces a number of primal issues, the sanctity of marriage versus the love of money, the Jew versus significant non-Jews such as shiksas and sheiks, skill versus luck, materialism versus spirituality, Israel versus the Arab countries, the past versus the future, and the religious world versus the secular one."

Times' BOOK revieweer Barbara Raskin goes on to say, "In precise, almost clinical language, Mr. Engelhard tracks the changes Joshua [Kane] and Joan go through after receiving their ungodly offer. Suspicion, jealousy, anger, second guessing, pain and fear begin to torment them as they struggle with his and hers temptations -- It's her body and his soul on the line."

I believe that the movie captures all that, though yes, for the conflicts in politics and culture and for the depths of emotions there is always and still the book. That does not change. A novelist's task is to find the human heart. Hollywood is about box office.

Surely I would have cast it differently and surely I would have been happier if Hollywood had stuck to my novel as is. But Hollywood is seldom completely true to the novel ("Gone With The Wind" a notable exception) and I understand why. One art form is about pictures, the other is about words.

Beethoven would not dare tell Picasso how to paint his Third Symphony. Each artist, in his own medium, must be allowed to find his own vision. This is obvious but it must be said, a movie is a movie and a book is a book and both have their challenges and their merits.

Yes, when I dealt with these "primal issues" I was surprised that the title roles would be taken by Redford, Demi Moore and Woody Harrelson. If I had qualms, these were dispelled at the grand opening when it struck me that all this stardom and a to million budget all happened from words I wrote on the kitchen table.

(I have this notion that we all face temptations every day, some big, some small. This one, on love and money, is big.)

I am always ready for people to knock the movie. People do this for a reason, which I will explain at a later time, perhaps in a blog. I have a theory about this. I was lucky with the reviews of the book. The Times' wrote: "Is this book fun to read? You betcha." The same goes for the movie, now especially in this Blu-Ray format.

Thank you for listening -- Jack Engelhard, the authorIndecent Proposal



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